Mystieke huwelijk van H. Catherina 1621 - 1647

This is Antoine Garnier’s “Mystical Marriage of St. Catherine,” an engraving of the 17th century now held at the Rijksmuseum. It depicts a scene of divine betrothal between the infant Jesus and St. Catherine. Considered within its social and cultural milieu, Garnier’s work provides insight into the religious and artistic conventions prevalent in 17th-century Europe. France, at this time, was deeply rooted in Catholic traditions, and religious themes were common in art. This print reflects the period's emphasis on piety, virtue, and the sacred rituals of the Church. The iconography and symbolism are drawn from established Christian narratives, serving to reinforce religious doctrine and inspire devotion among viewers. The work also speaks to the patronage system of the time, where artists often relied on the support of religious institutions or wealthy individuals for commissions. Historical research into period documents, theological treatises, and art historical scholarship can help us to understand these social and institutional contexts, revealing the complex interplay between art, religion, and society in Garnier’s time.