Evening bell from mist-shrouded temple (left); Autumn moon over Lake Dongting (right) 1440 - 1510

An Gyeon created these two paintings on silk, likely in 15th century Korea. The pairing offers not just an aesthetic experience, but a window into the cultural and social values of the time. In Joseon dynasty Korea, landscape painting wasn't merely about depicting scenery. It was deeply intertwined with Neo-Confucian ideals, emphasizing harmony with nature and the reflection of inner virtue. The misty temple and tranquil lake aren't just pretty scenes; they are visual metaphors for spiritual contemplation and the pursuit of knowledge, values promoted by the state. Historical records and artistic treatises can provide insight into An Gyeon's status at the Royal Court. By understanding the social and intellectual climate in which he operated, and the patronage networks through which art was commissioned and circulated, we can appreciate how deeply ingrained these paintings were in the cultural fabric of their time.