Crows in an Old Tree by Yosa Buson

Crows in an Old Tree c. 18th century

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drawing, print, paper, ink-on-paper, ink

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drawing

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print

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asian-art

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landscape

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ukiyo-e

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paper

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ink-on-paper

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ink

Dimensions: 42 5/8 × 16 1/4 in. (108.27 × 41.28 cm) (image)74 3/16 × 21 5/8 in. (188.44 × 54.93 cm) (mount, without roller)

Copyright: Public Domain

Yosa Buson created this ink-on-paper scroll painting, "Crows in an Old Tree", sometime before his death in 1784. Buson lived at a time when artists were finding new ways to express themselves, often looking back to earlier Chinese and Japanese traditions. Here, Buson, who was also a renowned haiku poet, evokes a spare, melancholic mood. Crows, often seen as symbols of loneliness, perch on a wintry tree. In Japanese art, birds and trees are often used to represent different aspects of nature and the seasons. Buson’s painting would have been displayed in a home or temple, and its appreciation would have been shaped by the specific social context of the tea ceremony or other seasonal events. Art historians deepen their understanding of such works through careful study of the artist’s life, the cultural context, and the specific artistic conventions of the time. The meaning of art is always changing and depends on its social and institutional surrounding.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Seven raucous crows flit in and around an old tree at dusk, a scene all too common in autumn and winter. In Japanese poetry and painting, crows have long served as signs of the arrival of winter (the autumn season is suggested in this painting by the pink highlights on the tree’s leaves), and, by extension, death. One old folk belief is that a crow’s call may signal the death of someone nearby. Another says that a crow’s call at night is an omen of a fire. This can make them a somewhat gloomy motif, as in the famous haiku by Matsuo Bashō (1644–1694), who, like Yosa Buson himself, was a widely celebrated poet: “Crows resting / on a withered branch— / evening in autumn.” Here, though, Buson’s loose, energetic brushwork lends the scene a sense of liveliness.

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