Sample of Gray Wall Covering c. 1928

Editor: Here we have Anni Albers' "Sample of Gray Wall Covering." I’m immediately struck by the grid-like composition and the texture. What do you see in this piece, looking at it through the lens of formalism? Curator: The interplay of the horizontal and vertical threads creates a visual rhythm, a subtle dance of light and shadow. It is interesting how Albers uses the materiality of the woven threads to create a seemingly infinite pattern of tiny squares. How do you feel about the use of color? Editor: It’s muted, almost monochromatic. The subtle gradations of gray and beige create depth and a sense of movement despite the rigid structure. Curator: Precisely. The restricted palette amplifies the textural dimension. One might even consider the raw edges as an integral part of the composition, disrupting an otherwise clinical grid, don't you think? Editor: I never thought of it that way, but you’re right. It’s as if the edges are intentionally left undone to remind us of the process. I appreciate how much there is to learn from this work!