The evil world / The time of Esau (2 Esdras 6:9) 1565 - 1577

Editor: We're looking at "The Evil World / The Time of Esau (2 Esdras 6:9)," an engraving made between 1565 and 1577 by an anonymous artist. The circular composition really grabs my attention, it feels almost like looking into a distorted mirror reflecting chaos and conflict. How do you interpret this work? Curator: The circle, first, contains a wealth of symbolism. This world, at the time of Esau, is framed by violence and a breakdown of faith. It’s referencing 2 Esdras, a text grappling with the problem of evil, isn’t it? Notice the inscription above and below the image, a sort of commentary. Editor: Yes, the inscription references the text and describes a land consumed by robbery, pride, and bloodshed. What figures and motifs stand out to you the most? Curator: Look closely at the central figures—the armed man, seemingly triumphant, and the female figure who appears almost regal yet embattled. Consider the imagery – the uprooted tree being held, and the figures beneath their feet, as well as those warring around them. Can you feel the cultural anxieties present through such visuals? Editor: It’s powerful. The armed man certainly exudes a domineering presence, while the woman seems almost to be struggling, a land and its ideals potentially overpowered by war and ruthlessness. The severed head by her side is frightening. I hadn’t thought about it reflecting cultural anxieties of the time. Curator: Indeed. These are archetypes and historical allusions blended to deliver a potent message. Do you think it still resonates today? Editor: Absolutely. The struggle for power and the consequences of greed depicted here are timeless themes. It feels incredibly relevant, maybe even prophetic in a way. Curator: Agreed. This artwork serves as a stark reminder of the cyclical nature of history and the enduring human struggle with morality, faith and our continuous negotiation between good and evil.