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Curator: Here we have Cornelis Cort's engraving, "Gods of the Fields: Vertumnus." It's from the late 16th century and depicts the Roman god of seasons and gardens. Editor: My first thought? An unfinished symphony. All that detail, but it feels like a dream fading at the edges. He's beautiful but ephemeral. Curator: That's an interesting take. I see the engraving technique as highlighting the labor—the sheer number of lines to render every leaf, every muscle. The process is part of the meaning. Editor: Yes, the making is evident, but think of Vertumnus himself! A god of change, holding that overflowing pot—abundance tempered with the knowledge of its passing. Curator: It is a reminder of the cyclical nature of life, and I think it speaks to the continuous labor needed in agricultural societies. Editor: In the end, it's a poignant reminder to embrace the present and to be mindful of the work required to nurture beauty, both inner and outer.
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