Kaleb by Johann Sadeler I

Kaleb 1575

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print, intaglio, engraving

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portrait

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print

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intaglio

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old engraving style

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figuration

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11_renaissance

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line

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history-painting

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northern-renaissance

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engraving

Dimensions: height 115 mm, width 78 mm

Copyright: Rijks Museum: Open Domain

Curator: This intaglio print from 1575 by Johann Sadeler I is titled "Kaleb." Its classic lines depict a single male figure in a landscape. I find it strangely compelling. Editor: Immediately, the figure's confident stance and overflowing bunch of grapes read as a celebration of abundance, perhaps a claim to land or resources. But for whom, exactly? Curator: Well, the imagery draws from a much older tradition. Kaleb, or Caleb, as the name is often spelled, is a significant figure in the Hebrew Bible, known for his faith and courage. Holding grapes specifically links to his mission to scout the land of Canaan. Editor: Right, but let's remember, the biblical narrative is used to justify occupation and displacement. The "promise" of abundance obscures the violent realities of colonization and land dispossession inherent to the story. So, while it symbolizes faith to some, we also need to read it critically. Curator: That's true. Sadeler would have understood that duality. Note his use of line and form; they evoke both strength and vulnerability. Kaleb appears almost statuesque, yet there's a certain melancholy in his eyes. The landscape is rendered simply, allowing us to consider him outside any context, so he’s allegorical, as much as an identifiable subject. Editor: And his physique, I notice a bit of "contrapposto," although quite stylized for the time, and quite purposefully presented, might evoke ideas about ownership and dominance. Are we meant to see this abundance as divinely sanctioned and inevitably masculine? What other stories of "abundance" have been similarly encoded with these symbols? Curator: Perhaps the point is to acknowledge, even visually, the complexity. What exactly did that promised land mean? Sadeler presents us with Kaleb and asks the same. What is ownership, legacy, or divine mandate? Editor: Indeed. He provokes some serious reflection on inherited mythologies, how faith has been manipulated, and its ongoing repercussions. An old image offering painfully familiar debates.

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