Haven met kooplieden bij fontein by Johannes Gronsveld

Haven met kooplieden bij fontein 1679 - 1728

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print, engraving

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baroque

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print

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landscape

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figuration

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line

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genre-painting

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engraving

Dimensions: height 156 mm, width 242 mm

Copyright: Rijks Museum: Open Domain

Editor: So, here we have "Haven met kooplieden bij fontein," or "Harbor with Merchants by a Fountain," an engraving by Johannes Gronsveld from around 1679 to 1728. It's a bustling scene. What strikes me is the contrast between the active figures in the foreground and the implied vastness of the harbor. What do you see in this piece? Curator: Immediately, I'm drawn to the layering of symbols. The fountain, positioned near laborers, may evoke the concept of provision. What emotions are stirred as you focus on its form? Editor: It does have a comforting feeling to it, in contrast to the labor around. It is a reminder of the Roman public fountains. The putti figures up there add to it, with the barrels scattered by its side creating some form of a juxtaposition between daily toil and prosperity. It seems a central point in their trades. Curator: Yes, a shared source but not in the physical sense of necessity alone; notice the merchant with his pipe observing the spectacle, or that vessel in the back? Harbor scenes become allegories for journeys. Each detail carries cultural significance and evokes complex emotional responses associated with place. It becomes almost a memory palace of symbolic form. The laborers moving those weighty barrels is something else. Can you infer anything else by seeing them perform their task? Editor: Well, their dress appears North African. Perhaps this depicts active trade with this area? Curator: The figures do suggest active exchange with people from different backgrounds, bringing with them specific customs and traditions, so in essence it's cultural exchange happening. We have merchants, trade, and cultural exchange happening in this line print; How fascinating. Editor: So it captures trade itself but also all the human interactions and memories tied to this kind of setting. That is incredible to imagine all these details layered within the engraving. Curator: Precisely. What we’re observing in Gronsveld's work here goes beyond documenting commerce and points to those cross-cultural encounters. And, from these signs, new meanings emerge!

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