Portret van Georg Christoph 1628 - 1670

This is Pieter de Jode the Younger’s portrait of Georg Christoph, made using engraving techniques sometime in the 17th century. During this time, portraiture served as a powerful tool for conveying social status and political allegiances. Georg Christoph, a nobleman of the Holy Roman Empire, is depicted within an oval frame, surrounded by Latin inscriptions and heraldic symbols of power. His identity is constructed through this visual language of nobility, reflecting the hierarchical society of the era. The choice to immortalize Christoph through portraiture speaks volumes about his personal ambition, and the values of his class. What does it mean to curate your own image? Think about the expectations for men of status, and how Christoph presents himself. The gaze is direct, the attire dignified; an assertion of authority during a period marked by political upheaval. How do his choices reflect societal expectations, or challenge the status quo?