Tweemaal een detail van de structuur van het binnenste van een bot by Julius Kricheldorff

Tweemaal een detail van de structuur van het binnenste van een bot c. 1874 - 1884

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print, photography

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still-life-photography

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print

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photography

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history-painting

Dimensions: height 187 mm, width 268 mm

Copyright: Rijks Museum: Open Domain

Editor: So this print, "Tweemaal een detail van de structuur van het binnenste van een bot," or "Two Details of the Structure Inside a Bone," was created by Julius Kricheldorff sometime between 1874 and 1884. It seems to be an image from a book, possibly scientific in nature. What do you see in this piece? Curator: I see a fascinating interplay between the scientific and the symbolic. These magnified details of bone structure, while factual, echo primal architectural forms: the vault, the arch. It’s as though we’re gazing not just at bone, but at the foundations of civilization itself. Editor: Foundations of civilization… that's interesting. How so? Curator: Bone is our inner framework, what carries and sustains us. And architecture? That which shelters and contains culture. Kricheldorff, whether consciously or not, seems to tap into that subconscious link between our bodies and the spaces we inhabit. It calls into play enduring symbols that we interpret through how cultures memorialize the deceased. Do you notice any repetitive design elements in those shapes? Editor: Now that you mention it, the branching patterns kind of remind me of trees, or maybe river systems... Networks. Curator: Precisely! And what do networks represent, symbolically? Interconnectedness, communication, the flow of knowledge, maybe even ancestry. The way the branches converge or connect reminds me of funerary rites as a celebration of an interconnected family. Editor: So, these aren't just pictures of bone. They're almost maps of what connects us. That really makes me rethink how I see them. Curator: And it encourages us to consider what structures -- both physical and symbolic -- we need to carry culture forward. That’s the wonderful thing about images: they continue to communicate on many different registers.

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