White Jerfalcon 1789

This is William Lewin's "White Jerfalcon," likely painted around 1789, using watercolor on paper. Lewin's choice of watercolor is interesting. It's a medium often associated with field studies and quick sketches, rather than the more formal oil painting. Watercolor demands a certain lightness of touch, a precision that suits the delicate plumage of the jerfalcon. Look closely at the layering of the colors. You can almost feel the texture of the bird’s feathers, the subtle variations in tone suggesting depth and volume. The rendering of the claws, each carefully delineated, speaks to Lewin's skill as a draughtsman. This wasn't a quick sketch dashed off in an afternoon. It was the product of careful observation and practiced technique. It reflects an era where scientific accuracy and artistic expression weren't mutually exclusive. The attention to detail elevates it beyond a mere illustration. It’s a testament to Lewin's dedication to his craft and his deep appreciation for the natural world.