Zegels van de Universiteit van Groningen met namen van de hoogleraren en wapen by Anonymous

Zegels van de Universiteit van Groningen met namen van de hoogleraren en wapen 1706 - 1720

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graphic-art, print, engraving

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graphic-art

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medieval

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print

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old engraving style

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geometric

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line

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history-painting

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engraving

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calligraphy

Dimensions: height 150 mm, width 80 mm

Copyright: Rijks Museum: Open Domain

Curator: My first impression is how much this feels like looking at a scientific instrument, something from a cabinet of curiosities. The circular forms and precise linework give it a decidedly intellectual air. Editor: Indeed. This engraving, dating from sometime between 1706 and 1720, showcases the seals of the University of Groningen, including the names of its professors and coats of arms. It's an intriguing blend of heraldry, portraiture, and cartographic representation. Curator: The graphic quality is fascinating. Note the density of line, which provides an overall tone that seems both delicate and intense simultaneously. I see a central heraldic crest surrounded by concentric rings—is this the university’s organizational structure rendered symbolically? Editor: That is astute. It acts almost as a symbolic family tree, mapping power and knowledge within the academic institution. Consider the socio-political implications—how does this imagery promote institutional legitimacy and celebrate individual intellectual contributions during that period? Curator: What stands out to me is the sheer volume of text. Every available space appears inscribed. It creates an almost dizzying visual effect. I am thinking about the interplay between readability and design. Is this meant for close study or as a more general, symbolic representation? Editor: I argue it functions on both levels. Yes, there's dense information, perhaps aimed at a scholarly audience familiar with the names and history. Simultaneously, the overall circular design—resembling astronomical charts popular at the time—projects the university as a cosmos of knowledge, broadcasting prestige and learned authority. It visualizes the ideal role of this institution. Curator: It certainly prompts one to contemplate the relationship between visual form and the construction of institutional identity. How the very materiality of the print, with its graphic density and clear structural components, asserts power and creates the identity you're referring to. Editor: Precisely, and through studying these historical images we learn much about the culture which the modern university system is built upon. This detailed image, at its heart, displays the pride taken by the academics from this particular period.

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