Reclining and Wandering 

Shen Zhou made this work, Reclining and Wandering, using ink on paper. This medium is so fundamental to East Asian art, but that doesn’t mean it’s simple. Consider the paper, for example. It’s not just a blank support; its absorbency dictates how the ink spreads, so the artist needs to be in tune with its character. Then there’s the ink itself. Traditionally, inksticks were ground with water on a stone, each artist with their own preference for the right consistency. The type of brush, the angle it’s held, and the speed of the stroke – all these contribute to the final effect. Here, you can clearly see the marks of the brush, the pressure applied, and the varying density of the ink. Shen Zhou masterfully orchestrates all these elements. Through his control of the medium, brushstrokes become more than just writing; they embody a state of mind, a personal expression. This elevates calligraphy to the level of fine art, proving that even the simplest materials can convey profound meaning.