Studie 390 1941

Hans Hinterreiter's 'Studie 390' uses geometrical forms in black, white, green, and gray, layering them to create an overall sense of pattern and repetition. The process seems methodical, each shape carefully placed. Looking closely, the surface has a handmade quality, with slight variations in the application of the colors. The black areas, for example, aren't perfectly uniform. This adds a tactile dimension. It’s not about mechanical perfection but rather the rhythm and feel of the hand guiding the process. The green peeks through the other shapes, creating a subtle, spatial tension. I'm reminded of artists like Agnes Martin, who also used repetition and simple forms to create complex visual experiences. Like Martin, Hinterreiter’s work values the subtle nuances of the handmade over cold, hard precision. Ultimately, it’s about finding the magic in the mix.