Wading Crane and Trailing Bush Clover c. 1830s

This print of a wading crane and trailing bush clover was made by Utagawa Hiroshige in 19th century Japan using woodblock printing. This technique involves carving an image into a block of wood, inking the surface, and then pressing paper against it to transfer the design. The process requires meticulous labor. The artist first creates a drawing, which is then glued face-down onto a block of wood, usually cherry. A separate block is required for each color, and the registration must be perfect. The success of Japanese woodblock prints depended on a division of labor, with specialist carvers, printers, and publishers. The print's aesthetic qualities – the crisp lines, delicate gradations of color, and the overall composition – are direct results of this highly skilled production process. Hiroshige's design, combined with the expertise of the artisans, created an artwork that reflects both individual creativity and collective craftsmanship. By understanding the means of production, we gain insight into the cultural significance and artistic achievements embodied in this print, bridging the gap between art, craft, and social history.