Ellen Mary Brainerd Peck (nee Duffield) (c. 1843-?) c. 1850

Editor: This is a miniature portrait of Ellen Mary Brainerd Peck, attributed to John Carlin. It's beautifully framed, and the detail is remarkable. What do you see in this piece, focusing on its artistic qualities? Curator: The composition employs a classical oval format, drawing the eye to the figure. The juxtaposition of the cool blues in the sitter's dress and eyes against the warmer tones of her skin creates a visual harmony. Note the intricate detail of the bordering; the pearl and meander patterns provide an almost tactile sensation. Editor: The frame almost overwhelms the portrait itself, doesn't it? Is that intentional, do you think? Curator: One could argue the frame serves as a structural device, heightening the impact of the central image. It is a framing *of* the sitter, but also a framing *as* object. The miniature, after all, functions as both image and adornment. Editor: That's fascinating. I never considered the frame to be such an integral part of the artwork itself. Thanks for pointing that out.