Pier van Scheveningen by David Vermeulen

Pier van Scheveningen c. 1901s

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photography, albumen-print

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landscape

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photography

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cityscape

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albumen-print

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realism

Dimensions: height 81 mm, width 111 mm

Copyright: Rijks Museum: Open Domain

Curator: This is “Pier van Scheveningen,” an albumen print dating back to the 1900s. The photographer, David Vermeulen, really captured a sense of serenity with the beach and pier stretching into the distance. Editor: My first impression is of quiet industry. There’s a palpable human element, from the constructed pier itself to that distant ship; they’re all signs of labor and trade against a pale seascape. Curator: It's intriguing how Vermeulen frames the pier – the central building, almost circus-like in form, acts as a fulcrum. Its domed roof and the flags give the structure an oddly regal character. I’m really struck by its tonal range, so muted. Editor: The albumen print process is key to that soft quality. The interaction of silver salts with the egg white coating creates a unique visual texture. It’s almost like looking at a tangible surface, connecting the viewer to the physicality of photographic making itself. Consider the photographer's work in managing resources during processing. Curator: The structural repetition draws my eye; pilings recede into the distance with geometric precision. It creates depth, a rigorous structure only to be softened by the haze and rippling water. But, as you point out, it’s the albumen print process itself that infuses the composition with a distinctive atmosphere. Editor: Precisely. Each ripple of the gelatin and chemical reaction has its own character and impact on the final image, making each print its own unique commodity. And seeing how humans construct this space, extend into and utilize the sea - that relationship comes strongly through Vermeulen’s documentation. Curator: Reflecting on its formal qualities and composition helps understand the aesthetic intention. It captures a moment frozen, carefully rendered and evocative of place and era. Editor: Agreed. And thinking of the hands and process behind each print of "Pier van Scheveningen", the photographer’s labour is palpable. This makes me view this art in the larger scope of coastal commerce.

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