Vesuvius, U.S.N., from the Famous Ships series (N50) for Virginia Brights Cigarettes by Allen & Ginter

Vesuvius, U.S.N., from the Famous Ships series (N50) for Virginia Brights Cigarettes 1895

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drawing, print, photography

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drawing

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still-life-photography

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print

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photography

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photojournalism

Dimensions: Sheet: 1 1/2 x 2 5/8 in. (3.8 x 6.7 cm)

Copyright: Public Domain

Curator: What a remarkably composed image, all structured along horizontal and vertical axes. The monochromatic scale amplifies the textural detail, doesn’t it? Editor: It does, but more than that, I find myself immediately struck by its purpose—it's an advertisement for Virginia Brights Cigarettes, found within a series called "Famous Ships." It romanticizes naval power for consumers, aligning tobacco with national pride. Curator: An interesting conflation! Structurally, the ship itself, the Vesuvius, U.S.N., dominates the frame, almost bisecting the pictorial space. Note how its rigid lines and solid forms contrast subtly with the softer, undulating texture of the water. Editor: Indeed, and this image from 1895 serves as a symbol of American industrial prowess. As the nation rapidly expanded its global influence, these ships played a vital role, and mass-produced images like this made the technology seem less intimidating. Curator: It's fascinating to observe the play of light and shadow, contributing to the overall tonal balance and subtly highlighting the various surfaces—the smooth hull against the rougher, almost stippled effect on the distant, almost ghost-like vessel behind it. A visual depth is meticulously rendered here. Editor: Precisely. Also note the social implications: Cigarette cards like this were circulated widely, influencing perceptions of technological progress. It also brings into focus questions about historical advertising and manipulation, where the aesthetics and form served a larger goal of boosting sales and shaping public attitudes. Curator: So the image, taken purely on a formal level, offers a well balanced and carefully arranged structure, the verticality of the masts versus the expanse of the ship’s hull. Editor: But it also speaks volumes about the political economy of the period. Both aesthetically arresting and disturbingly indicative of a historical moment rife with expansionist zeal and persuasive consumerist agendas.

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