Ondertekening van de vrede tussen de Centrale Mogendheden en Oekraïne, 9 februari 1918 Possibly 1918
print, photography, gelatin-silver-print
portrait
photography
photojournalism
gelatin-silver-print
history-painting
modernism
realism
Dimensions: height 255 mm, width 269 mm, height 372 mm, width 278 mm
Copyright: Rijks Museum: Open Domain
This photograph, taken on February 9, 1918 by an anonymous photographer, captures the signing of the peace treaty between the Central Powers and Ukraine. Photography, of course, is an industrial medium. The image is made through the meticulous combination of chemistry, optics, and the division of labor that defined the early twentieth century. From the manufacture of the camera itself to the darkroom processes required to develop the print, photography was – and remains – an emblem of modern production. Consider how this affects the photograph's presence. The sharp focus and tonal range lend an air of objectivity, even truth, to the scene. Yet, the very act of capturing this moment, of framing it for posterity, is an act of power. It’s a reminder that even the most seemingly straightforward images are constructed, mediated through the lens of technology and human intention. By recognizing the material and the making, we can appreciate the social context that imbues the photograph with meaning, and its place in the histories of both art and technology.
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