Thomas Greene 1763

George Romney captured Thomas Greene in this unfinished portrait. Painted in the late 18th century, this work offers us a glimpse into the social and intellectual circles of the British Enlightenment. Romney, a sought-after portraitist, often depicted members of the British elite, including figures like Greene, who held positions of power and influence. The portrait’s unfinished nature adds an interesting layer. It invites us to consider the process of representation, and how identity is constructed. The stark lighting and focus on Greene's face draws our attention to his expression, which seems both thoughtful and somewhat melancholic. The turban-like headwear adds an exoticising element, that was fashionable at the time. Romney's work often reflects the values and aesthetics of his time, but through the lens of our contemporary moment, we can also see how portraiture can reinforce social hierarchies, while offering an intimate portrayal of an individual.