Decorated Capitals c. 16th century

Curator: Here we see a collection titled Decorated Capitals, by an anonymous artist, housed here at the Harvard Art Museums. What strikes you first about them? Editor: The density of each letter form is fascinating. Every stroke seems deliberately placed to create a miniature, self-contained world within a square. Curator: Indeed. Consider the historical context. These capitals likely come from a period where illuminated manuscripts were central to disseminating knowledge. Each letter then becomes not just a character, but a symbol of status and erudition. Editor: I am drawn to how the artist balances positive and negative space. The intricate black linework against the white background creates a dynamic visual rhythm. Curator: And that rhythm served a clear function, didn't it? By drawing the eye, these decorated initials would’ve marked the start of important sections, guiding readers through complex texts. Editor: Looking closely, I notice subtle differences in the rendering of foliage and other decorative motifs. The artist varies their approach letter to letter. Curator: Which also speaks to the individual scribe's hand, asserting a personal presence even within the confines of prescribed forms. It reminds us that art and knowledge production was so often intertwined. Editor: I find myself appreciating the care and precision that went into each of these miniature worlds. Curator: And thinking about the outsized impact these small details had on the broader cultural landscape of their time.