Maharao Durjan Sal of Kota Plaiting Krishna's Hair c. 1730

Curator: Here we have an anonymous painting titled, "Maharao Durjan Sal of Kota Plaiting Krishna's Hair," housed here at the Harvard Art Museums. It’s a rather intimate scene. Editor: Indeed. The bright yellow ground is immediately striking, and there’s a sense of both formality and casualness coexisting, a fascinating tension. Curator: Look closely at the Maharao's gesture; it speaks volumes. The very act of plaiting hair is imbued with service and intimacy, defying traditional power dynamics. Editor: Absolutely. The painting reframes traditional gender roles and the dynamics of power. The Maharao’s submissive gesture is striking when we consider courtly life at the time. It challenges notions of masculinity, caste and devotion. Curator: Considering the materials and production, we can see an investment in detail, not just in the figures' adornments but in capturing this tender moment. The artist used fine brushes and vibrant colors. Editor: It’s remarkable how the piece allows us to consider the complexities of identity and devotion. Curator: A powerful commentary on service, love, and power, indeed. Editor: A story told through a single, quiet act.