Dimensions: 8 7/8 × 5 13/16 in. (22.54 × 14.76 cm) (image)11 3/16 × 8 1/4 in. (28.42 × 20.96 cm) (sheet)
Copyright: Public Domain
This vibrant watercolor, likely created in North India, depicts Krishna Killing the Crane Demon. We can see the blue-skinned god, Krishna, confronting a large white crane, tearing its beak apart. This image visualizes a story found in the Bhagavata Purana, a 9th or 10th century text that describes the life of Krishna. Krishna's triumph over the crane demon, Bakasura, is not just a narrative of good versus evil. It speaks to the complex social dynamics of the time. Consider the role of religious institutions in shaping these stories, and how they were used to reinforce social norms. Look at the ways in which divine figures like Krishna were depicted and how these representations influenced the understanding of power and authority in society. Was this artwork aimed at legitimizing the power of a specific ruler or social group? By delving into the cultural and religious context of this painting, we can gain a deeper understanding of its significance and the social values it reflects. The study of religious texts would certainly shed light on the symbolism and the various interpretations of the story.
The artist identified as "the Master at the Court at Mankot" (possibly Meju) is prized for painting deeply felt, astoundingly inventive pictures. Here, the artist depicts one of the childhood exploits of Krishna, the 8th incarnation of Lord Vishnu, who comes to earth to vanquish evil. In this scene, the blue-skinned Krishna and the cowherds (gopas) take their cattle to a pond in the idyllic landscape of Vjraj, only to be disturbed by yet another demon sent by the wicked King Kamsa of Mathura. The giant crane demon Bakasura swallows Krishna, but the great god emits so much heat that the crane disgorges him; Krishna then tears the demonbird apart, ripping its beak asunder. The artist triumphantly depicts the spray of blood, as well as the crane’s now lifeless tongue. Throughout the painting, we also see the Mankot Master’s flair for pattern, put to mesmerizing effect in the otherworldly trees.
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