1874 - 1932
Vignet met libellen
Listen to curator's interpretation
Curatorial notes
Mathieu Lauweriks made this Vignet met libellen with printmaking, and you can feel the hand of the artist in the graphic quality of the marks, a graphic quality I also try to incorporate in my paintings. I love how the texture of the dragonfly’s wings contrast with the solid lines of the body, creating a play between transparency and opacity. The symmetry is almost classical, but has enough variation to keep it lively. Take a look at the tiny marks at the end of the wings. These small gestures show how Lauweriks paid attention to detail. The dragonfly reminds me of Ernst Haeckel’s biological illustrations - both were fascinated with symmetry and nature, and both embrace a certain ambiguity in how they represent the world. Art isn’t about answers, it’s about asking questions.