Fireworks celebrating the peace between France and the Empire, January 1698 1698

Editor: This engraving from 1698, titled "Fireworks celebrating the peace between France and the Empire, January 1698," depicts what appears to be an elaborate architectural structure. The visual style reminds me of Baroque cityscapes and the drawing evokes a feeling of formality. What symbols stand out to you in this piece? Curator: The whole image pulsates with symbolism. Look at the figures adorning the top of the structure – goddesses representing abstract ideas such as Justice or Prudence. These are standard allegorical figures in Baroque art. And above them all, you have a radiant sun and dove, classic symbols of peace, hope and divine blessing. Even the fireworks themselves are transient spectacles of power and wealth, signaling an attempt to create collective cultural memories. Notice how architecture serves as the anchor and container for these floating significations. Editor: It’s interesting how the fireworks, normally chaotic and fleeting, are rendered here as neat, repeating lines. Curator: Exactly! It tells us that it’s not only the peace that’s being celebrated, but also the triumph of order and reason. Even the medium—engraving—itself imposes a sense of control and repeatability on what it represents. It reminds us that visual culture plays a huge role in shaping and reinforcing cultural memory and established meanings. What about this piece strikes you now? Editor: Now that you mention it, I think I see how the structure isn’t just architecture but is performing architecture. A space for ordered public experience, and carefully mediated national symbolism. Thank you for sharing this insightful experience.