Holy Family (Repos pendant la fuite en Égypte) by Claude Mellan

Holy Family (Repos pendant la fuite en Égypte) 1635

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drawing, print, engraving

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portrait

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drawing

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baroque

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print

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portrait drawing

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history-painting

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engraving

Dimensions: sheet: 9 1/16 x 12 1/4 in. (23 x 31.1 cm) plate: 8 5/8 x 11 13/16 in. (21.9 x 30 cm)

Copyright: Public Domain

Curator: Welcome. Today we're looking at Claude Mellan’s engraving, "Holy Family (Repos pendant la fuite en Égypte)," created in 1635. It depicts a moment of respite during the Holy Family's flight into Egypt, an important visual theme of the Baroque period. Editor: It’s like stumbling upon a quiet moment in a play. Everything feels paused. The landscape itself looks etched with their weariness—as if the very stones are sighing with the weight of the journey. Curator: Indeed, it's a scene rich in symbolism, showing not only a family fleeing persecution but also the hope and quietude of faith amid turmoil. The choice of engraving allowed Mellan to distribute this image widely, touching diverse audiences with a message of solace during politically tumultuous times. Editor: The burin work is incredible! All those lines, crisscrossing and dancing to create light and shadow, are giving it so much energy even in stillness. Is that light catching Mary’s face and little baby Jesus… is he sleeping? Curator: That's an interesting observation. Consider the formal elements – the composition is carefully constructed to guide the viewer's eye, focusing our attention first on Mary and Christ, then expanding outward to include Joseph and the broader scene of their refuge. The donkey grazing in the corner suggests the mundanity of their travel but also symbolizes patience and service. Editor: It's as though Mellan wants to pull us in. Make us remember the real, human side of the Holy Family: Tired, maybe even hungry, but cradled in the heart of some greater peace. That engraving in itself, those simple lines, become something deeply human. Curator: Absolutely. It reminds us that Baroque art wasn’t just about grand gestures and theatrical displays; it could also be about finding divinity in the everyday, making religious narratives more accessible and relatable to the average person. Editor: Being here and talking, and taking a pause is just as important for us as the historical or societal. The work almost challenges us to slow down and find stillness even when fleeing. I do like the simplicity. Curator: This exploration of Mellan’s work allows us a glimpse into the Baroque period’s ability to integrate faith with the reality of human experiences, and that in itself makes it timeless.

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