Untitled [yellow and green] 1974

Edward Avedisian created this untitled painting, evoking fresh spring meadows, using yellow and green paint, perhaps oils. I imagine the painting coming to life through layers, the artist making a mark, and then responding to it, again and again. It’s like a conversation he’s having with the canvas. Look closely, you can see how each stroke of the brush feels deliberate, yet spontaneous. There’s a circular motion at the top, echoed by rectangles and lines below; it’s an orchestration of shapes. What was Avedisian thinking when he made it? Maybe he was trying to capture a feeling, a memory, or maybe just exploring the possibilities of paint. The physicality of the medium is key here. The texture, the way the colors interact, and how the light catches on the surface, all work together to create a unique visual experience. It’s not just about what you see, but how you feel when you see it. And isn’t that what painting is all about? A continual conversation, an exchange of ideas across time.