Scene at Itsukushima Shrine by Utagawa Hiroshige

Scene at Itsukushima Shrine 1853

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print, ink, woodblock-print

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print

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asian-art

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landscape

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ukiyo-e

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ink

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woodblock-print

Dimensions: 13 1/4 × 8 11/16 in. (33.7 × 22.1 cm) (image, vertical ōban)

Copyright: Public Domain

This is "Scene at Itsukushima Shrine," a woodblock print by Utagawa Hiroshige. The artwork is a study in verticality and the interplay between solid and fluid forms. The massive, textured grey-brown pillars of the shrine’s torii gate dominate the foreground. This contrasts with the soft, blue-toned sea and sky. The composition draws you into a world where the architectural and natural collide. Note how the vertical lines of the pillars are echoed in the masts of the ships in the distance, creating a rhythmic visual structure. The placement of small, box-like structures attached to the pillars introduces a grid-like pattern. This adds a layer of complexity to the organic feel of the wood grain. Hiroshige masterfully uses line and form to explore the dialogue between permanence and impermanence. The solidity of the gate against the fluidity of the water suggests themes of stability and change. The dynamic composition invites us to consider how these elements define our experience of space and time.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Built on pilings over Hiroshima Bay, Itsukushima Shrine is one of the three most famous spots of scenic beauty in Japan. At high tide, the shrine seems to float on the water. The annual Kangen Festival is held at high tide on an early August evening. Kangen (ancient court music) was originally a summertime diversion among Heian period (794-1185) aristocrats, and included boating parties with musicians performing on-board. Taira no Kiyomori, a 12th century political leader and founder of Itsukushima Shrine, combined kangen entertainment with a ritual ceremony to worship the shrine's three goddesses. A procession of boats, led by local fishermen, bears a portable shrine out into the bay where the ancient music is played. This print illustrates the returning boats as they approach the great torii gateway, which marks the entrance to the shrine precinct.

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