90 Elements 2007

Curator: This is "90 Elements" by Thomas Scheibitz. It's a large piece, almost four meters wide, held here at the Tate. Editor: It feels like the deconstruction of urban space. A fragmented cityscape, perhaps, rendered with a kind of cool detachment. Curator: Scheibitz is known for his engagement with geometric abstraction, often referencing architecture and design. He’s playing with perspective here, challenging our spatial assumptions. Editor: There's something almost melancholic about the muted color palette. The geometric forms lack warmth. The reds and blues, though, are quite active! Curator: I agree. His work often evokes the alienation of modernity, reflecting how our identities and interactions are shaped by the built environment. It is a comment on our relationship with the world. Editor: An interesting perspective. For me, the focus is on the relationships between the forms themselves—how they push and pull, creating a dynamic tension within the frame. Curator: It’s a great piece for considering how our individual experiences intersect with broader social structures. Editor: Indeed, a very worthwhile conversation.