photography
landscape
photography
cityscape
Dimensions: height 153 mm, width 216 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have a photograph called "Gezicht op Turckheim bij Colmar," placing it somewhere in Alsace. It was taken by Charles Bernhoeft before 1894. The photograph features a sturdy stone gate dominating a street scene, all in grayscale. There’s a stillness to it, almost like a memory. What do you make of this image? Curator: It whispers of time, doesn't it? That formidable gate...it's like a portal to another era, rendered with a sensitivity to light and texture that belies its documentary purpose. Notice how the cobbled path seems to flow like a stream, leading the eye directly to the gate, demanding our attention. Does it perhaps prompt us to reflect upon those thresholds - both literal and figurative - that have marked our own journeys? Editor: I hadn’t thought of the path as a stream! Is that a compositional choice unique to Bernhoeft, or more typical of cityscapes at the time? Curator: Perhaps a little of both. The formal gardens in the foreground almost give a sense of stage setting, a curated view for the viewer. However, his particular artistic flair lies in choosing this very viewpoint and finding interest in an architectural subject that's likely not the site's 'grandest' feature. His photographs often focus on unassuming or unexpected corners. You can almost sense him saying: *look closer*! Editor: So, instead of a famous cathedral or something grand, we get this solid, reliable-looking gate. That's fascinating! I guess it’s like, every gate has a story. Curator: Precisely. Every stone, a silent witness. A subtle reminder of how much the grand narrative is comprised of ordinary, understated realities. Photography for Bernhoeft, seems to be less about documentation and much more about evoking sentimentality. A sense of place is really more an evocation of feeling for him, and he asks for this same sensitivity and care in his audience. Editor: I definitely see that now. It’s more than just a picture; it's like Bernhoeft is inviting us to remember our own "Turckheim" - that solid, steady place in our memories. Curator: Beautifully said. It's amazing how a single image, filtered through an artistic soul, can become a mirror reflecting our own inner landscape.
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