Andreas I (c.1015-1060), King on Hungary from 1046 to 1060 1828

This image of Andreas I, King of Hungary, was made by Josef Kriehuber in the 19th century, using lithography, a printmaking process that allows for detailed tonal rendering. The lithographic technique is evident in the soft gradations of color that bring Andreas's armor to life. Note the gleaming metal, achieved through layers of ink carefully applied to the lithographic stone. The texture is not just visual; it speaks to the physical process of repeatedly printing the image, each layer contributing to the overall effect. The method of production is tied to larger social issues; the mechanization of printing democratized image production, influencing politics, labor, and consumption. While the subject of the work may be royalty, the printmaking process itself is associated with the rise of the middle class and a culture of mass production. It’s important to recognize the significance of materials, making, and context in understanding the full meaning of an artwork. Thinking this way challenges the traditional distinctions between fine art and craft.