Textile by Anonymous

Textile 1935 - 1942

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drawing, painting, textile, acrylic-paint

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drawing

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folk-art

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painting

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landscape

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textile

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folk art

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acrylic-paint

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geometric

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abstraction

Dimensions: overall: 45.8 x 71.2 cm (18 1/16 x 28 1/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: So, this textile, created sometime between 1935 and 1942 by an anonymous artist, is really striking. The figures and landscapes are rendered so simply, almost like a child's drawing. What's your interpretation? Curator: What do you make of the juxtaposition of the domesticated and the wild within a constructed landscape? We have animals that could represent resources, power, food, sport. The question then becomes: Whose textile is this? What community created it, and how does this constructed vision of their world reflect their cultural and socio-political reality? Editor: I hadn’t considered it from a community perspective! I was mostly reacting to it formally – the flat planes of color, the stylized animals. It feels…almost decorative. Curator: Decorative, yes, but consider the time period. Textiles were often a medium for marginalized voices, particularly women and indigenous populations, to express narratives and critiques otherwise suppressed. The "decorative" can often hold coded meaning. What do you see in the ways they represent nature? Is there a commentary on humanity's relationship with nature embedded here, maybe about access or control? Editor: That’s fascinating. I was only looking at the animals as animals. Now I'm wondering if the textile depicts ownership and access. The mountain lion at the top perhaps looks down at the deer that are being cornered? Curator: Precisely! Think about how the imagery reflects the cultural and social context of its creation. Whose perspective are we seeing? By examining those relationships of power within this "simple" textile, we unlock a much deeper, more meaningful story about how society represents itself. Editor: This has completely shifted my perception. What I saw as simple decoration might be complex narrative, particularly relating to community values. Curator: Exactly. Engaging with art through the lens of cultural and historical awareness helps us understand its profound connections to society and politics, which is an important job in a modern, interconnected world.

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