Vrede van Nijmegen 1679

This bronze medal, commemorating the Peace of Nijmegen, presents a portrait of Louis XIV, encircled by the inscription "Ludovicus Magnus Rex Christianissimus." This glorification invokes not only his regal status but also his divine right as a Christian monarch, symbols deeply rooted in the era's political theology. The laurel wreath that adorns his head harkens back to ancient Rome, a potent symbol of victory and imperial authority, repurposed throughout history to legitimize power. One can find its echo in countless portraits of emperors and conquerors, each time subtly reshaped to fit the ambitions of the age. Consider the psychological weight of such symbols; they tap into a collective memory, stirring emotions of awe and obedience. By aligning himself with these historical archetypes, Louis XIV seeks to solidify his image as an undisputed ruler. This medal serves not just as a historical record but as a carefully constructed piece of propaganda. These symbols never truly die. They re-emerge, transformed, in the ongoing drama of power and perception.