Beardless Man in Fur Cloak and Cap: Bust 1760 - 1808

David Deuchar made this etching, "Beardless Man in Fur Cloak and Cap: Bust," using a metal plate, likely copper, and acid. Lines were etched into the metal, which was then inked and pressed onto paper to create the image. The material qualities of the etching process lend themselves to fine detail and texture. Look closely at the man’s fur cloak and cap. Deuchar captures the roughness and warmth of the fur through a network of tiny lines. The way the lines vary in thickness and density gives a sense of depth and volume. You can almost feel the weight and texture of the man's clothing. Consider the social context of this artwork. Etchings like this were relatively inexpensive to produce compared to paintings, making art more accessible to a wider audience. Deuchar was an accomplished seal engraver, suggesting his familiarity with the skilled traditions of craft. By focusing on the materials and processes, we can appreciate the artistic skill involved and the broader social implications of art production in Deuchar's time.