Ruiter, mogelijk een soldaat by Isaac Israels

Ruiter, mogelijk een soldaat 1875 - 1934

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drawing, pencil

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portrait

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drawing

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amateur sketch

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light pencil work

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quirky sketch

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pen sketch

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incomplete sketchy

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landscape

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figuration

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personal sketchbook

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ink drawing experimentation

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pen-ink sketch

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pencil

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sketchbook drawing

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sketchbook art

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Ruiter, mogelijk een soldaat," or "Rider, possibly a soldier," by Isaac Israels, made sometime between 1875 and 1934. It's a pencil drawing. There's a certain immediacy to it, a snapshot feel. What strikes you about this work? Curator: I'm drawn to its raw depiction of military life and what that might suggest about the artist's socio-political viewpoint. What do you think Israels might be conveying through this seemingly simple sketch? Editor: I hadn't really considered that. It seemed more like a quick study, a moment captured. Curator: And that moment is carefully selected, wouldn't you agree? Consider the period this work inhabits: late 19th, early 20th century. Military expansion and social upheaval defined the era. The depiction of a soldier, even in this informal way, carries weight. We might want to look closer at issues of gender, class and nationhood that are present in this image. Editor: So, you see the 'possibly a soldier' as maybe less about literal identity and more about societal pressures and constructs of the time? Curator: Exactly. Israels invites us to confront the often-overlooked everyday experiences of those who serve within the machinery of a militarized society. The loose sketchwork mirrors that sense of fluidity, that 'incompleteness' of what the military means to folks who serve, whether willingly or otherwise. Editor: That really reframes my thinking about the piece. I initially saw it as a casual sketch, but now I recognize there could be some implied critical discourse about class, gender and society. Curator: Precisely. It prompts us to challenge the aesthetic ideals of the day and appreciate artistic experimentation for social commentary, for a viewpoint. Editor: I’ll definitely keep that in mind when looking at other works from the period. Curator: Likewise, you’ve reminded me to never underestimate the impact of those so-called ‘everyday’ moments that speak volumes about the lived experiences that we examine, study, reflect, and share in art.

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