Gordale Scar, Yorkshire by  John William Inchbold

Gordale Scar, Yorkshire Possibly 1876

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Dimensions: support: 1254 x 913 mm frame: 1580 x 1230 x 100 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: John William Inchbold painted "Gordale Scar, Yorkshire". Editor: It’s so imposing, almost claustrophobic! That towering rock face and the little waterfall… it feels both grand and intimate. Curator: Inchbold was deeply interested in landscape, influenced by the Pre-Raphaelites' detailed realism, but also by Ruskin's ideas about nature's spiritual significance. This approach coincided with increasing public interest in the picturesque, made newly accessible by railway tourism. Editor: I find it so powerful to see such dramatic natural formations captured at a time of industrial expansion. It serves as a reminder of what we stand to lose if we fail to recognize the importance of these spaces. Curator: Exactly. Inchbold later moved away from Pre-Raphaelitism, seeking a more subjective, emotional response to the landscape. Editor: Ultimately, seeing this depiction today, I'm inspired to reflect on how we can respect and protect these locations. Curator: Yes, a beautiful reminder of nature’s importance.

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tatebritain's Profile Picture
tatebritain about 2 months ago

http://www.tate.org.uk/art/artworks/inchbold-gordale-scar-yorkshire-t05467

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tatebritain's Profile Picture
tatebritain about 2 months ago

Inchbold, who was born in Leeds, came under the influence of the Pre-Raphaelites in the early 1850s. He established himself as one of the leading landscapists of the movement but by the end of the decade had adopted a broader, more atmospheric approach, as shown here. When it was first exhibited at the Royal Academy it was accompanied by lines from Wordsworth’s sonnet ‘Gordale’ of 1818: ‘... when the air/Glimmers with fading light .../Then, pensive Votary!, let thy feet repair/To Gordale-chasm, terrific as the lair/where the young lions couch; ...’. Gallery label, November 2016