The Brent at Hendon by Ford Madox Brown

The Brent at Hendon 1854 - 1855

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Dimensions: support: 203 x 248 mm frame: 345 x 400 x 40 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So this is Ford Madox Brown's "The Brent at Hendon," it's an oil on board painting but the oval shape really makes me focus on the materials and technique. What can you tell me about how the artist approached this? Curator: Notice how Brown meticulously renders the riverbank's textures. This wasn't just about depicting a scene, but exploring the very materiality of the landscape. What implications might the choice of oil paint on board, rather than a more traditional canvas, have had on his process and ultimately the final product? Editor: That's a great point! It makes me think about how the accessibility of materials impacts the final product. Thanks for helping me consider the process. Curator: Indeed! By closely examining the material reality of art, we gain insight into the labor and decisions shaping its creation.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/brown-the-brent-at-hendon-n03528

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tate 3 days ago

Brown was born at Calais and studied in Antwerp and Paris before settling in London in 1844. A growing interest in painting subjects in daylight was reinforced by a visit to Italy in 1845-6. Brown was close to the Pre-Raphaelite Brotherhood though never a member of it. Millais' example inspired him to try his hand at painting small landscapes outdoors. This one and 'Carrying Corn' were worked on at the same time, one in the mornings and the other in the afternoons. The Brent picture, the morning work, took Brown most of September 1854 and was then finished in the studio. Gallery label, September 2004