Shaffron (Horse's Head Defense) of Henry II of France, When Dauphin 1465 - 1539

Editor: Right, next up we have an intriguing object: the Shaffron, a horse’s head defense made for Henry II of France when he was the Dauphin, so somewhere between 1465 and 1539. The material is predominantly metal, and it's currently housed at The Met. I'm immediately struck by the imposing and almost theatrical quality of this piece. How would you interpret the societal implications of such ornate armor? Curator: It's fascinating how armor transforms from mere protection to a symbol of power, status, and even propaganda. Think about the expense and skill required to craft something like this Shaffron. Who do you imagine commissioned this piece and why? Editor: Presumably someone very wealthy, perhaps Henry’s father, to demonstrate power or legitimize Henry’s right to the throne? Curator: Exactly. Armor like this served a crucial public function. It’s about displaying wealth and might, about visualizing royal authority, and about conveying a message of invincibility. The elaborate design isn’t just decorative; it’s a visual language meant to impress both allies and enemies. The depiction of the horse's head, did that symbolize anything important? Editor: Maybe something about horsemanship being linked with nobility and strength, or France and the royalty? Curator: Indeed. Horsemanship was a vital skill for nobility. Consider the visual impact on the battlefield: a horse in elaborate armor bearing royal symbols projects power and inspires loyalty. It's an example of art reinforcing socio-political structures. So what aspects of how institutions can use artifacts have caught your eye now? Editor: Definitely how functional objects, even ones designed for war, are cleverly repurposed as symbols of social stature and political messaging. Thanks! Curator: My pleasure; seeing this intersect with social messaging makes this artwork especially compelling for further interpretation!