Gezicht op een kapel in het gehucht La Plante, aan de Maas, en een gezicht op de abdij van Salzinnes, aan de Sambre, bij Namen, 1740 1746 - 1792

Hendrik Spilman created this print, "Gezicht op een kapel in het gehucht La Plante, aan de Maas, en een gezicht op de abdij van Salzinnes, aan de Sambre, bij Namen" in 1740. The scenes depict sites in the Belgian city of Namur. Created during a period of significant social stratification, the artwork offers a glimpse into the contrasting worlds of the clergy and everyday life. It suggests a society deeply rooted in religious tradition, while simultaneously capturing the mundane aspects of 18th-century life along the rivers Maas and Sambre. Spilman's choice to represent both a chapel and an abbey reflects the all-encompassing influence of the church in the lives of the people. These religious sites weren't just places of worship; they were centers of power, education, and community. The serene landscapes, however, seem to hint at an alternative narrative, an appreciation of nature beyond the confines of social hierarchy. This print invites us to consider the complex interplay between faith, nature, and social structure in 18th century Belgium. It encourages a reflection on the values and realities of a society shaped by both spiritual devotion and earthly concerns.