Sranang Fri Sranang by Stuart Robles de Medina

Sranang Fri Sranang 1975

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graphic-art, print

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graphic-art

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print

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collage layering style

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retro 'vintage design

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bright colours popping

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geometric

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repetition of pattern

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vertical pattern

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pattern repetition

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textile design

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imprinted textile

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layered pattern

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funky pattern

Dimensions: height 88 cm, width 89 cm

Copyright: Rijks Museum: Open Domain

Curator: Well, hello there! Get a load of this beauty, Stuart Robles de Medina's mixed-media textile artwork called "Sranang Fri Sranang," made in 1975. What leaps out at you first? Editor: Immediate associations with mid-century textile design—bold, optimistic colors and forms. The insistent repetition makes me think of celebratory flags or scarves, emblems of national identity. Curator: Flags, yes! And November 25th... you sensing what I’m sensing? Suriname Independence Day! “Sranang Fri Sranang” means Suriname Free Suriname! What I love is how de Medina wove together graphic arts and textile techniques, like the collage elements peeking through, creating a story that's both celebratory and intimate. Like you could wear it. Editor: Definitely designed for cultural visibility and civic pride, yet with folk art influences. Note the circular wreaths, traditional victory symbols enclosing “November 25,” alluding to something greater and beyond that particular day. And the stylized birds? Curator: Perhaps representing freedom and a new beginning for the nation? And, look, it has that great 70’s Pattern and Decoration movement vibe – an embrace of beauty for beauty's sake after years of art world austerity. But for de Medina, there is this beautiful grounding in the specific experience of Suriname's struggle for liberation. Editor: Exactly—it transforms ornamentation into an expression of cultural memory and collective aspiration. A lovely visual record of a turning point, but the visual lexicon utilized is one that would endure beyond that moment. What is fascinating here is this interweaving between fine arts and what's thought of as decoration or "craft", it democratizes the idea of the historical record, it no longer belongs only to oil portraits. Curator: So well put. Each viewing deepens an appreciation for how historical moments take many different art form in which the power and memory remain palpable. So thanks for stopping by and seeing "Sranang Fri Sranang" with me! Editor: My pleasure. What seemed simple on the surface actually hides layers of intricate meaning.

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