Woman's awayo (mantle) c. 19th century

Editor: So, this is a woman's awayo, or mantle, made by the Aymara people, likely in the 19th century. It’s a striking textile – the bold stripes give it such a powerful presence. What strikes you most about this piece? Curator: I'm immediately drawn to the ways in which this awayo transcends mere functionality. It's not just clothing; it’s a deeply coded text reflecting Aymara identity and resilience in the face of colonial pressures. Consider how geometric abstraction, which some might dismiss as purely aesthetic, served as a visual language, encoding cultural memory and resistance. Editor: Resistance? That's fascinating, I wouldn't have guessed that. Curator: Absolutely. Think about the historical context. The 19th century was a period of immense social and political upheaval for Indigenous communities in the Andes. This awayo becomes a powerful statement of cultural survival. The very act of creating and wearing it was a form of defiance. The geometric forms carry symbolic meaning connecting wearers to cultural values from the pre-colonial era, a clear pushback against cultural erasure. Do you think viewing it this way changes your initial perception? Editor: Definitely! It's less about bold stripes now, and more about what those stripes *mean*, the history they carry. It gives a new depth. Curator: Exactly. And think about the women who created these textiles. They were active agents in preserving and transmitting cultural knowledge. The awayo is both a practical garment and a testament to their skills, artistry, and determination. Editor: I'm so glad to know this piece better! It’s eye-opening how an object can hold so much history and meaning. Curator: Indeed. And it reminds us to always look beyond the surface, to question the dominant narratives, and to appreciate the voices and experiences that are often marginalized.