Wittgenstein in New York 1964

Editor: This is Eduardo Paolozzi's "Wittgenstein in New York". I'm struck by how he combines these bold, mechanical images with the New York skyline. It's a real clash of high and low. What are your thoughts on the materiality of this print? Curator: The silkscreen printmaking process itself is key. Paolozzi, fascinated with mass production, used it to elevate everyday imagery. Notice how he layers consumer objects and cityscapes. How does the mechanical reproduction affect the understanding of the images? Editor: It's almost like he's dissecting modern life, showing the inner workings of our consumer culture. The use of such materials is really thought provoking. Curator: Precisely. By using such methods, Paolozzi prompts us to consider the means of production and the role of technology in shaping our perceptions of the world. It's a very Materialist approach.