photography, gelatin-silver-print
monochromatic tone
conceptual-art
postmodernism
textured
landscape
photography
gelatin-silver-print
monochrome photography
monochrome
realism
monochrome
Dimensions: image: 18.8 × 22.9 cm (7 3/8 × 9 in.) sheet: 20.32 × 25.4 cm (8 × 10 in.)
Copyright: National Gallery of Art: CC0 1.0
Lewis Baltz made this photograph, San Quentin Point, no. 37B with gelatin silver. Looking at it I wonder if it's about the limits of photography. The shades of gray, almost like a pencil drawing, flatten the ground. It's hard to get a sense of depth. I imagine Baltz in the landscape, searching for the right spot. The right light. The perfect weed, a lone piece of something growing out of the ground. It’s sad, but it's also strong, and it's there. That weed is the only thing standing in the photograph, the way a line stands out in a drawing. It reminds me of the work of other artists like Agnes Martin, who used grids and lines to make you see better. Baltz is part of that conversation. I wonder if he knew that plant was a symbol of endurance. Either way, it got my attention.
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