Portret van Gottfried Kneller 1670 - 1713

Pieter Schenk created this portrait of Gottfried Kneller in Amsterdam around the turn of the 18th century using the mezzotint technique. Kneller, a German-born artist who became the principal painter in the British court, is portrayed here as a figure of immense importance, as evidenced by the Latin inscription that translates to "neither Zeuxis nor Apelles was greater." It's worth noting that Kneller’s success existed within a complex social hierarchy. As a court painter, his role was deeply intertwined with the politics and power structures of the time. His identity as a German in the British court adds another layer, reflecting the cultural exchanges and potential tensions within the European elite. The portrait itself presents a carefully constructed image of power and sophistication, seen in the elaborate wig and aristocratic garb. Yet, the human element is undeniable – a glimpse into the personal aspirations and the carefully managed persona of an artist navigating the complex world of royal patronage.