Building, Downtown, NYC by John Marin

Building, Downtown, NYC c. 1926

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drawing

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drawing

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geometric-abstraction

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cityscape

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modernism

Dimensions: sheet: 16.5 x 20.3 cm (6 1/2 x 8 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: This is John Marin's "Building, Downtown, NYC" from around 1926. It's a drawing, very spare and linear. There's a kind of hectic energy in the fragmented lines, but at the same time it feels very planned. How do you interpret this work? Curator: Marin’s drawing encapsulates a pivotal moment of urbanization and Modernist fragmentation. Look at how he represents the city, not as a solid, stable entity, but as a dynamic, almost violent, collision of lines and planes. What does that choice, that deliberate destabilization, suggest to you about Marin's perspective on urban life in the 1920s? Editor: Well, it makes me think about the disruption of older communities by new construction. Was Marin engaging with those ideas? Curator: Absolutely. Marin was deeply concerned with the social consequences of unchecked development and the erasure of diverse communities. This drawing, while seemingly abstract, functions as a commentary on the dehumanizing effects of rapid modernization, questioning whose voices are centered, whose are silenced in the narrative of progress. What feelings does the frenetic energy in the drawing evoke for you? Editor: It makes me feel uneasy, anxious. The city seems unstable, even unsafe. Curator: Precisely. And consider, too, the social conditions of the time. Mass migration, industrial labor, displacement...the built environment wasn’t simply evolving, it was a stage for intense power struggles. Do you think his choice of such simple materials is significant? Editor: I hadn’t thought of that. Perhaps a kind of directness and rawness, an intentional contrast to the monumental quality of the buildings themselves? Curator: Yes, perhaps emphasizing the human element, using modest materials to make the work more relatable, more accessible, positioning the viewer in direct dialogue with these power dynamics. I'm struck by Marin’s courage to dissect the myth of progress. Editor: That's a very powerful way to think about it. I see so much more now. Curator: And I see the artwork more vividly with your perspective. Thank you.

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