Odzun 1982

Petros Malayan created this painting of Odzun using watercolors. Watercolors are often seen as a medium for quick studies, but here, Malayan coaxes depth and weight from the pigments. The material’s fluidity is harnessed to evoke the play of light on stone, while the artist's handling of the brush creates a palpable sense of atmosphere. It's important to consider that the scene depicts a historical site. Watercolors enable the artist to capture the effects of time and weathering on this architecture, mirroring the way history itself can feel both present and distant. The soft edges and muted tones suggest the passing of generations and the accumulation of stories within this space. Ultimately, Malayan's choice of watercolor isn't just about aesthetics; it’s a deliberate engagement with the themes of memory, preservation, and the enduring power of place. By understanding the material's potential, we gain insight into the artist’s intent and the deeper meaning of this evocative artwork.