Half Model of a 10-Gun Brig by Anonymous

Half Model of a 10-Gun Brig c. 1806 - 1807

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sculpture, wood

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sculpture

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wood

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realism

Dimensions: height 25 cm, width 73.8 cm, depth 10 cm

Copyright: Rijks Museum: Open Domain

Curator: So, this "Half Model of a 10-Gun Brig," crafted around 1806-1807, presents an intriguing intersection of art, labor, and the burgeoning age of industrialization. Editor: Absolutely. It's a striking wooden sculpture. There’s almost a diagrammatic quality, showcasing the internal structure of the ship. How do we even begin to interpret a piece like this? Curator: Focus on the means of production. It's crafted wood, a readily available material, yet its meticulous assembly reveals skilled labor. How do you think the materiality of the object influenced the design and its function within the broader social context? Editor: Well, the wood suggests a pre-industrial era, a time when naval power still heavily relied on readily available natural resources and manual craft. Was this model meant as an aesthetic object or a design blueprint? Curator: That's the beauty of it; the lines blur! Its purpose transcends mere aesthetics. Think about the labor invested, the hands that shaped each piece, fitting together like the cogs of an increasingly complex maritime industry. This "artwork" exists within a context of trade, colonial expansion, and resource extraction. Is this a ship? Is this a piece of maritime history? Or, as I’m inclined to propose, it is also about production of objects. How much are our social constructs involved? Editor: So it challenges our traditional ideas of 'art' by highlighting the process of making, the inherent labor, and its connection to wider economic and political systems. I never considered viewing sculpture with material conditions being a point to the social structures! Curator: Exactly! Art isn't divorced from the social fabric. Consider what constitutes its value – is it the artistry, the material, or its reflection of an evolving global network? It all leads back to how and why it was made, and for whom. Editor: That makes me rethink the function of it from merely decorative. I definitely have a richer, multi-layered idea of the wooden model's purpose. Thanks for highlighting this alternative framework. Curator: And hopefully, this model makes others contemplate the same.

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