Winter Landscape with a Village Nestled amongst Leafless Trees below Snow-Covered Peaks c. 17th century

Editor: This ink landscape painting, "Winter Landscape with a Village Nestled amongst Leafless Trees below Snow-Covered Peaks," is in the manner of Kim Myŏngkuk. It's so delicate, almost monochromatic. What strikes you about this piece? Curator: It speaks volumes about resilience in the face of environmental adversity. How does this seemingly serene scene reflect the lived experiences and socio-economic conditions of the villagers depicted? Can art be both beautiful and a subtle commentary on survival? Editor: That's a perspective I hadn't considered. I was just appreciating the artistry. Curator: Art always exists within systems of power. Landscapes, seemingly neutral, can be potent symbols of ownership and control. Thinking about who is represented, and who isn’t, reveals so much. Editor: I see what you mean. Thanks for pointing that out! Curator: Of course. It's about understanding art as a reflection of, and intervention in, the world around us.