Copper Follario of Roger II of Sicily c. 1130 - 1154

Editor: This is a Copper Follaro, minted under Roger II of Sicily. Looking at the composition and wear, it feels incredibly ancient. What stands out to you about its design? Curator: Notice the deliberate contrast between the smooth surfaces and the heavily articulated details of the figures, despite the limited medium. It’s a calculated use of relief. Editor: So, the raised figures create a kind of micro-sculpture? Curator: Precisely. The artist employs the circular format not merely as a boundary, but as an integral element influencing the arrangement and rhythm of forms. Editor: That’s fascinating. I hadn't considered the shape itself as a design choice. Curator: Indeed. The piece invites a deeper examination of the formal relationships at play. This close viewing reveals a remarkable attention to detail. Editor: Thank you for sharing your insight. I have a new appreciation for how form affects the viewer. Curator: And I'm pleased you've sharpened your eye today.