Untitled (Homeless) c. 1936

Beatrice Mandelman’s print, ‘Untitled (Homeless)’ is a study in contrasts, executed in dark monochrome. The composition is stark: figures huddle around what appears to be a burning trash can, creating a vortex of light amidst enveloping darkness. The figures themselves are rendered with heavy outlines and minimal detail, heightening the sense of alienation and anonymity. Mandelman's use of light and shadow is particularly striking. The flickering flames cast dramatic shadows, emphasizing the harsh realities of life on the margins. This interplay between light and darkness may reflect broader existential themes, such as the struggle between hope and despair. The figures, though present, are isolated, each trapped in their own sphere of existence. Ultimately, this print uses the formal elements of light, shadow, and form to explore the socio-economic disparities in society. It challenges us to confront uncomfortable truths and reflect on our shared humanity.